Madhouse Scripts Inc.
Hi, I’m Linda.
I'm a 2X Daytime Emmy nominated writer with thirty years of experience and I can help you make your script amazing.
I’ve seen this business from every angle. I was an assistant at a huge talent agency, watching deals get made. I was a writers’ assistant, retyping scripts at 2 AM, wondering if I’d ever get my shot. Then my writing partner and I wrote a spec script that made people feel something — and it opened doors.
You don’t need special talent, a secret handshake or an MFA. You need a script so specific, so weird, so uniquely you that nobody can ignore it.
I’ll help you get there.
Writing credits include: Suddenly Susan · Liv and Maddie · Kevin Can Wait · The Fresh Beat Band · Outmatched · Half & Half · Sisters · Puppy Place
Pick your poison
No matter which package you choose, I'll treat you like you're in a writers' room. I will give you copious, detailed notes and fixes along with a Zoom where you can ask questions, push back, talk shop, whatevs.
45 min
250 US dollars
45 min
495 US dollars
1 hr
750 US dollars
How long does it take?
Notes in 5 days for shorts and pilots, 7 days for features.
In a hurry?
Rush notes available for 50% extra — 3 days for shorts, 4 for pilots, 5 for features. Email me first to make sure I've got room.
You wanna go again?
Send me your rewrite. Second read + 30-minute follow-up Zoom — half the original price. Book within 3 months of your first notes.
I only take a handful of scripts a month. Not because I'm fancy — because I actually read them.
Here's The Deal:
I only take a handful of scripts a month. Not because I'm fancy — because I actually read them.
Send me your script. PDF, please.
I read it. Then read it again. And again. And possibly again. You get detailed notes: what’s working, what isn’t, and exactly how to fix it.
Then we zoom — we argue, we discuss, we pitch, we laugh, we cry — you leave with a game plan for the next draft.
My Past Clients Like Me
(for the most part)
“Linda’s notes are thorough and useful, and speaking with her feels like you’re working in a writers room towards a soon-to-be-produced draft. She won’t just tell you what you want to hear, but provides actionable feedback… After speaking with Linda, I feel energized to write the next draft.”
Burke Johnson
“The first impression I had upon receiving her feedback was that she had actually read the script multiple times and took time to understand what I was trying to convey. Her notes were specific and actionable… I have concrete steps in approaching a next draft.”
J Spencer Schumacher
“She knows what the hell she’s talking about. She’s done the job. She’s got two Emmy nods. Her notes are thorough and she gives you a zoom call to boot. I’ve made Linda part of every one of my scripts’ polishing process.”
Glen Toussaint · Repeat client
“Linda was brought on to supervise a pilot I was writing for Disney Channel, and she was an absolute joy to work with. She’s smart, funny, NICE, and really elevated the script. Our network execs thought so, too! Can’t recommend her services highly enough."
Jessica Poter · Disney Channel pilot
“My session with Linda was great. She gave me a couple of suggestions that no one had the foresight to see and now I feel more confident than ever to continue with my TV series.”
Creator, Bud Appétit TV series
Coming soon ... A Book!
Stop Reading. Start Writing.
Well, it's more of a pocket guide. Instead of reading a 285-page textbook, I want you writing ASAP — so the half-formed blob of an idea in your head gets onto the page as a fantastic script. Real exercises. No bullshite.
Would you like a shout out when it's avail?
